Projects
Original compositions
2 cities 2 faces (Johannesburg and Vienna, 2010/11)
An audiovisual diary
Concept: Eva Königer, Melanie van Bemmel
Audio: Eva Königer
Fotos: Eva Königer, Melanie van Bemmel
Video: Melanie van Bemmel
lab2:63_frei schaffend (Vienna, 2009)
A sound and video installation of an ongoing artistic collaboration with musicians, dancers and visual artists
Concept: Eva Königer, Melanie van Bemmel
Sound: Eva Königer
Video: Melanie van Bemmel
stories of passage (Vienna, 2007)
A participative sound and video installation
Collected stories and visual impressions in a passage of space and time
Concept: Eva Königer, Melanie van Bemmel
Sound: Eva Königer
Video: Melanie van Bemmel
i have a vision (Vienna, 2006)
A sound and video installation
Concept: Eva Königer, Melanie van Bemmel
Sound: Eva Königer
Video: Melanie van Bemmel
mapping the body (Salzburg and Freising, 2002)
An documentation of sounds and images of the "vocal body" concept
Concept, direction and composition: Eva Königer
Camera: Ursula Schuller, Melanie van Bemmel
Edit: Eva Königer, Ursula Schuller, Melanie van Bemmel
Sound design: Jocasts Lucas
vokale landschaften (Salzburg, 2000)
For voice and percussion
azur, always turning (Dartington, 1998)
Inspired by an anagramm of Gudrun Seidenauer, Austria
For voice, viola, vibraphon and clarinet
vocal soundscape (Dartington, 1998)
A composition for voices and movement at the Haytor Rock, Dartmoor/GB
Composition: Eva Königer, Grainne McConville
ohne Titel (Dartington, 1998)
Composition of a sound image in movement
vocal landscape (Dartington, 1998)
For voice solo
ohne titel (Dartington, 1998)
For piano solo
where the ants are dreaming (Dartington, 1997)
Composition for 5 voices and movement
ich mit dem tag auf den fersen (Salzburg, 1997)
Inspired by an anagram of Gudrun Seidenauer, Austria
For choir, strings and piano
wie in den traum wandert sie im wunden eis (Salzburg,1997)
Inspired by an anagram of Gudrun Seidenauer, Austria
Theme with variations for a dancing violinist and 3 percussionists
und niemand weiß weiter (Salzburg, 1997)
Layers of ostinatos set in scene
For choir, 2 tom-tom, strings, wind instruments, piano, 1 steel plate and tape recorder
du lachst und weinst und gehst an dir zugrund (Salzburg, 1997)
Inspired by an anagram of Gudrun Seidenauer, Austria
Chamber music for soprano, clarinet, 2 oboe and flute
ohne titel (Salzburg, 1997)
For clarinet, dance, drums, piano, strings, vibraphone and choir
sama taivaan (Salzburg, 1996)
Inspired by a poem of Tiina Ojala, Finland
For voice, violin, cello, accordion and drums
percussion in phrygisch (Salzburg, 1996)
For piano solo
weite (Salzburg, 1996)
For flute and piano